So I went back to my hotel room and I made this big long list of what I should and shouldn't do as part of THE AVENGERS. Mark was already on the ULTIMATES, and so he already had an AVENGERS book, so it kind of landed on me. By the end of the night, it was either me or Mark were going to take over THE AVENGERS based on this conversation. Team books were still a frustration for me-like, I hadn't nailed them.
So we were looking at who the lineup was and just as fans going, "Well, why doesn't the lineup reflect who Marvel is right now at the best, and wouldn't that be, yes, Captain America, Thor, and Iron Man, but Spider-Man and Wolverine and the ones that have now become the centerpiece of the Marvel Universe, even though they may not be associated with the Avengers franchise?"īy the end of the conversation, I was shocked to find myself as the writer of THE AVENGERS, which I was not pitching for.
Captain obvious costume tv#
The conversation turned us towards, "Well, THE AVENGERS is supposed to be the biggest and the best and the brightest." It's supposed to represent, and sometimes it has, and sometimes it's been some stranger lineup.Īt the moment, it was in a bit of a strange lineup with Jack of Hearts and She-Hulk, who-at the time-wasn't a TV star. Like for $0.10, you got the whole Justice League, not just Batman, and Avengers should be that. Mark went on a rant about how when he was growing up as a wee lad in Scotland, he would always buy the group books because you got more for your money. We were just there to give our nerd expertise. We got to AVENGERS, and me and Mark were not pitching for the gig. We had this big-now we look back on it as a legendary Marvel retreat, where… the whole point of the retreat was to just go around the room, look at every single book, and go, "Why do we publish it?" Not because we own it, but what is this book? What is it supposed to be? Is it that, and if not, why not? What can we do to make it that thing? Tom Brevoort (editor): Brian Bendis had come on to write NEW AVENGERS, which was a shakeup and a reimagining of the Avengers, eliminating certain characters that had been in the book and bringing other newer characters in, hence the name "New Avengers."īrian Michael Bendis (writer): I got the job to basically run the AVENGERS franchise, which is a little different than just, "Oh, I'm writing SPIDER-MAN!" When you're writing a book like THE AVENGERS, it's a corner of the Marvel Universe that touches six, seven, eight, nine, 10, 20 elements that have to be attended to. To celebrate SECRET INVASION’s 15th anniversary and the impact it had on Marvel Comics, we spoke to the people that brought it to life. What’s more, the event changed the game for Marvel marketing, taking advantage of the new digital landscape for viral marketing, while also evolving time-tested methods to build convention-going staples.
SECRET INVASION built off the successes of CIVIL WAR, using both hanging plot threads and lessons learned to launch itself to a new level of Marvel Comics storytelling, all while paving the way for a bold new era: DARK REIGN.
Touching down between CIVIL WAR (2006) and DARK REIGN (2008), SECRET INVASION arrived in the heyday of Marvel Comics summer events. and in a world where your neighbor might not be who they claim they are, who can you trust? By the time many Marvel heroes realized, they had already lost the battle, but the war for planet Earth was just beginning. Without any monologuing or fanfare, this shapeshifting alien species permeated every facet of life, up to and including Super Hero groups like the Avengers and the X-Men. In SECRET INVASION (2008), the Avengers-and, indeed, all the Marvel Universe’s heroes-faced a threat unlike any that came before: a Skrull infiltration that had already happened. By the time they noticed the invasion, it was too late.
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